A Syntax project drew its inspiration from a series of minimalist mosaic patterns that had been transferred onto paper by rubbing alcohol on stencilled shapes. Referring to the “DNA of Islamic pattern” the project interest consist in creating my own “alphabet and syntax,” by extracting abstract patterns, and devising a three dimensional perspective from the traditional two-dimensional aspect of Islamic design. The stencilled drawings are the first steps towards realising the same patterns in glass.

Music by Oddissee – After Thoughts

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